Arturia SEM V2 – Analog Synth Plugin

Name: Arturia SEM V2 - Analog Synth Plugin
SKU: 1200-34
Price: 149.00 USD
Availability: InStock

$149.00

Arturia SEM V2 - Analog Synth Plugin

The Oberheim® Synthesizer Expander Module was a complete and gigantic sounding analog synth voice in a box. Now, SEM V resurrects this beautifully minimalist machine in stunning vintage detail, adding capabilities that meet the needs of today’s music makers.

Description
SYSTEM REQUIREMENTS

Synthesis Horizon Expander

A Thing Of Analog Beauty

Originally meant as a companion module to sequencers and other synths, the SEM sported a multi-mode filter and two tremendous oscillators that made it unlike anything else. Combining multiple SEMs into 2, 4, and 8-voice systems took things to another level - just ask Rush or Herbie Hancock. SEM V puts all this power, and more, right in your DAW.

Sounds Analog

True Analog Emulation® technology brings all the fat and warmth in a way no sampled version can. You’ll hear the difference and so will your audience.

Team Player

From synthpop to hip-hop, almost every musical style can use some of the burbling bombast of the SEM.

Vault of Voices

Set polyphony up to 32 voices for massive brass, swelling strings, and ponderous pads.

That Filter

The 12dB/octave multimode filter that sounded unlike anything else, eventually shaping the identity of Oberheim®, exquisitely recreated.

The Monophonic Synth Thatlaunched a Polyphonic Revolution

Tom Oberheim had already enjoyed success building effects and a sequencer — and as the Los Angeles dealer for ARP synthesizers. He first conceived the SEM as an add-on, but it became a centerpiece.

Tom’s purpose was twofold: A sonic expander for synths like the 2600 and the Mini, and a stand-alone synth module for pairing with his DS-2A sequencer.

Of course, you could also add SEMs to each other. Tom Oberheim himself said, “The SEMs were the beginning of synths being able to do polyphonic orchestration.”

An SEM for Todayand Tomorrow

We faithfully modeled the core controls of the SEM, then added a few tricks of our own to make it more SEM than ever.

Its sound ranges from creamy to downright bossy, serving up leads, basses, pads, brass, strings, and special FX with gusto. Our additions give it a big boost while staying entirely within the spirit of the original.

Multi-Mode Filter

The SEM’s calling card was its 12dB-per-octave filter, which was continuously variable between lowpass, bandpass, and highpass.

Bring the Boom

A sub-oscillator one or two octaves below the two VCOs allows for sounds with floor-shaking low end.

Extra LFO

The SEM had a single LFO. SEM V adds another and lets you modulate VCO frequency or pulse width from either. Of course, both LFOs sync to tempo.

Classic Arpeggiator

Generate retro riffs with the tempo-syncable Arpeggiator, which features a Random mode, Hold, and up to a four-octave range.

Here’s the Mixer

Mix the volume of sawtooth or pulse waves, as well as the sub-oscillator or white noise, heading into the Filter section.

Built-in Effects

Quickly dial in the perfect amounts of Overdrive, Chorus, and Delay to put the final sheen on your SEM V sound.

ExpanderExpanded

Open up SEM V’s Advanced Panel to access a treasure trove of creative sound design features.

The magic of software is that once we’ve gotten the original sound exactly right, we can add functionality that would be a lot more costly in hardware. The SEM is already a powerhouse, but these extras make it a powerhouse with a Ph.D.

Eight SEMs in One

The Programmer controls six parameters for up to eight virtual SEMs as you play notes. It’s like having a more sophisticated Oberheim Eight-Voice.

Mod Matrix

We’ve greatly enhanced the SEM’s modulation capability with eight independent routings. Go nuts with eight sources and 26 destinations!

Follow This

Six settings of your choosing can change based on the note played according to a user-definable curve. It’s the most surgical keyboard tracking on any synth.

Effects Control

Tweak and tempo-sync the built-in FX here, then dial in each. The Delay even features a stereo ping-pong mode.

HEAR IT IN ACTION

Stereo Arpeggio

Noritaka Ubukata

Dirty Orchestra

Noritaka Ubukata

Berlin Berlin

Pierce Warnecke

Berlin School

Drew Neumann

Pad Filter Sweep

Noritaka Ubukata

Klamb

Kevin Lamb

FEATURES

All the original parameters of the Oberheim® SEM:
Two oscillators, each offering sawtooth wave and variable-width pulse wave with PWM, sine wave LFO, 12dB/oct multi-mode Filter with low-pass, high-pass, band-pass and notch, two ADS envelope generators.

Added functionalities:
New LFO, Noise, Sub oscillator, on board effects (overdrive, chorus and delay), Arpeggiator, Portamento.

Polyphony up to 32 and 8 Voice Multitimbrality.

New 8 Voice Programmer module.

Advanced Keyboard Follow module.

Modulation Matrix module.

Works in Standalone.

Now compatible with iSEM Preset Export/Import.

Polyphony parameter to limit the polyphony of the plugin.

20 New Factory Presets From Ian Boddy

21 New Factory Presets From Erik Norlander

35 New Factory Presets From Richard Courtel

11 New Factory Presets From Kevin Lamb

14 New Factory Presets From Drew Newmann

"Forward Retrigg" mode for the 8-Voice Programmer (For easy use of sequences using the Arpeggiator)

"Reassign" mode for the 8-Voice Programmer (Like in the original one, the SEM V will first use the boards that are not gated in its voice assignment)

Sustain Pedal Is Now Active On All Systems

SYSTEM REQUIREMENTS

Windows

Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows
Required configuration
Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).

Apple

Mac OS 10.13+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or Apple Silicon CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU
Work with ASC