MiniFreak V is an experimental virtual instrument fusing digital voices with modeled analog filters, spontaneous modulation, and playing sequencing, unleashing endless sweet spots between familiar and unheard, order and chaos, beauty and beast. Set your wildest sonic creations free.

Acid V is a software instrument modeled on the cult-classic bass synth that defined the punchy, abrasive sound of acid and rave. Pump your mixes full of ever-evolving bass grooves and mutated sequences with an array of updated modern features, including an advanced sequencer, multi-mode distortion, quick-fire modulation, and much more.

CP-70 honors the legendary Yamaha electro-acoustic piano that infused the 70’s and 80’s with a rich, warm and eminent stage sound. Combining detailed sampling with authentic modeling, cut through a dense mix or project your play-style to an audience with this perfectly recreated, iconic instrument.

From the authentic to the impossible, unlock premium piano sounds for cinematic score & library composition, immersive game soundscapes, and slick modern DAW production with an intuitive & inspiring piano experience that transcends virtual instruments.

Discover a new era of cinematic sound, from emotive chamber ensembles to thunderous synth-infused fanfares. Beautifully-recorded brass samples; powerful synth & sampling engines; sweeping musical controls that navigate the territory between them; introducing Augmented BRASS.

Augmented WOODWINDS unites a dynamically sampled woodwind section with state-of-the-art synthesis in an intuitive and breathtaking software instrument, delivering a rich, reedy and resonant realm of sound making potential - morph to your mood, from dark and denatured to bright and elegant.

KORG MS-20 V is a virtual instrument for sound explorers in search of the meaner side of analog. From punchy analog textures to abrasive screaming sounds, explore a flawless emulation of a primal instrument overflowing with attitude and streamlined for modern production.

Prophet-VS V captures the crisp digital precision and stirring sci-fi sound of an instrument that pioneered vector synthesis. Pick your waveforms, perfect your sound, and explore multiple digital dimensions simultaneously with an enhanced softsynth workflow.

The budget synth that became a legend in its own right. The instrument that brought the digital synth revolution to the masses with its razor-sharp phase distortion sound. Now beefed up as software, with added modulations and awesome effects!

An innovative instrument combining sampled strings with state-of-the-art synthesis and deep morphing controls.

Blending the human voice with multiple synth engines and expressive controls for an evocative hybrid sound.

Vocoder V is not your standard vocoder. It’s not your standard synthesizer either. This is your new voice-transforming playground. Unlike the traditional vocoder, it combines carrier and modulator - synth and voice analyzer - into one powerful unit.

If you’d prefer not to sing, there’s even a dedicated sampler built-in so you can process whatever sounds you want to. Part voice analyzer, part vintage analogue synth, part cutting-edge sampler - this might just be the missing piece of your sonic puzzle.

Jun-6 V channels the pure analog spirit of the Juno series, the DCO classics that brought polyphony to the masses. Its colossal & creamy sound remains awe-inspiring to this day - optimized and enhanced to keep up with modern creative needs.

Emulator II V is a multitimbral sampling machine that brings E-Mu Systems’ seminal digital workhorse back to life in all its nostalgic glory - with a slick modern edge.

Its unique combination of high-fidelity 8-bit sound, warm analogue filter, and instantly recognisable sample library is sure to spark instant creativity, just as the original once did. When you want lo-fi grain, ‘80s sheen, or a sampling flow that stands out from the crowd, look no further.

SQ80 V is Ensoniq’s classic ‘80s Cross-Wave synth reborn, weaving hybrid lo-fi character, complex industrial textures, and thousands of unique waveform combinations into a quick-fire softsynth enhanced for modern production. Digital synthesis unravelled.

Digital synthesizers are often known for sounds that are razor-sharp, crystal-clear, and precise - SQ80 V has other ideas.

Explore a detailed software resurrection of a digital anti-hero that’s out to break the rules.

Analog Lab V gives you instant access to the most iconic synth and keyboard sounds of all time, fresh from our award-winning V Collection.

Choose from a massive selection of the best vintage & modern presets using intuitive smart-filter browsing, and breathe new life into your mix with the much-loved sounds of faithfully emulated classics. Whether you’re a producer, performer, sound designer, or vintage synth fan, you’ll find inspiration at every turn.

The CS-80 distinguished itself by having two complete synth sound paths in parallel, making for rich complex sonic textures. Popularized by Toto, Vangelis, ELO, Stevie Wonder and many more, it brimmed with expressive controls rarely found elsewhere, including a ribbon controller and polyphonic aftertouch. We’ve included a new generation of creative features like additional modulation routings, multi-timbral voicing, arpeggiator, stereo delay and preset morphing.

Faithful to the fat, aggressive sound of the original and supercharged with new features, OB-Xa V will take you for a wild sonic ride.

Immerse yourself in this quirky synth and whip up new songs with the fat, creamy sounds that made it famous. Not only will you feel the original sound of punchy bass, thick analogue pads and drones, and cyclical effects at your fingertips, you’ll also have access to brand new features that will bring out this iconic sound deeper than ever. OB-Xa V is here to let you spin that audio hurricane!

Don Buchla’s leftfield analog synth from 1973, the Music Easel was perfect for exploring alternative sound design, creating ambient, widescreen textures, and unfamiliar sequences. Arturia’s reimagining also features “Gravity”, a physics-based synth.

Managing to be simultaneously fat, airy and crystal clear, this classic polysynth was embraced by pop luminaries including Prince, Duran Duran, Moby, Depeche Mode and No Doubt. Distinguishing features included switchable 2- and 4-pole filters, hi-pass filters, VCO sync, and an arpeggiator. Arturia has brought extra love by adding complex LFO combinations, modulation-targetable dynamic effects, and an advanced step sequencer that can be used as a mod source.

The tine-based electric pianos of the ‘60s and ‘70s featured a rounder sound and longer sustain than the competing Electric Organs. They’ve been used by a who’s who of keyboardists, especially for jazz, funk and ballads. Arturia modelled the Stage 73 and Suitcase 73 right down to the tines, pickups and circuitry. They also included a tube amp model and classic effects for the full experience.

The transistor-based Vox Continental became popular in the ‘60s as a much lighter and affordable alternative to B3 Styles. While it borrowed B3 Style’s drawbar construct, the Vox had an eager pop-ready sound all its own that was quickly adopted in the British Invasion and West Coast hit factories. We’ve included the later Jennings J70 engine alternative and added full drawbars, extra waveforms, rotary cabinet, and effects.

A patch-pin modular sensation, the quirky British “silver machine” put a new spin on modular synthesis. It has been reborn with expanded modulations, powerful effects, an updated sequencer, with the ability to group pins for total control.

The original instrument redefined what keyboard players could do, unlocking the doors to orchestral and choral sounds at the touch of a key. The reborn Mellotron features all original tapes, as well as the ability to play your own samples with authentic tape emulation.

If you’ve ever listened to the radio, watched a film, or owned any 80s records, you’ll have heard the DX-7. Arturia simplified the way you program it and expanded it with a mod matrix, custom envelopes, waveforms, a 2nd LFO, effects, and more.

Before poly synths and samplers, the Solina string machine borrowed top-octave divider technology from organs and married it with animated choruses to deliver lush string textures that samples still can’t fully duplicate. Arturia set up both the original mono and later stereo versions, including the phaser effect popularized by Jean-Michel Jarre, added voices inspired by the Polymoog, and more, making it the perfect pad machine.

The Prophet V combines the famous Prophet 5 with the later Prophet VS. As the first fully programmable polyphonic synth, the subtractive-synthesis Prophet 5 was everywhere in the late ‘70s. The VS used vector synthesis, with X-Y joystick morphing of its four oscillators - each containing one of 128 different digital waveforms. Arturia's Hybrid mode adds matrix modulation to combine elements of both instruments for bold new sounds.

One of the most loved, influential electric keyboards of all time, this funky, energetic tone is now available in a physically modelled software instrument, complete with a customizable setup, and classic amp and effects combos.

Much lighter than a B3 Style and more cutting than a Vox, the Farfisa transistor organ helped drive the effervescent sounds of ‘60s Top 40 hits and has kept bubbling up across upbeat genres ever since. It also wanted to be a synth when it grew up, which we’ve aided by adding user-definable waveforms, DAW sync for tremolo/repeat, more envelope control and integral effects.

One of the finest analog poly synths ever made, the Matrix-12 featured the big brassy Oberheim sound, unparalleled matrix modulation, and unprecedented 15-mode filters. Each of the 12 voices could have its own sound assigned to any MIDI channel and key range, making for massive layered textures and complex splits. We’ve expanded it with even more mod sources and a 27 x 47 matrix.

The mother of all samplers, and a groundbreaking additive synth, the Fairlight original redefined pop music. Arturia's recreation gives you 10 multitimbral, polyphonic slots to design your sound, real-time waveform shaping, effects, sequencer, and even a brand new “Spectral” synth.

Probably the most famous synth in history and sporting a discography to match, this monosynth is legendary for its fat, warm basses and leads owing to its three VCOs and 12db/octave filter. Arturia partnered with Bob Moog himself with massive updates including polyphony (a la Memorymoog), a dedicated modulation LFO, formant-based vocal filter, sample/hold, mod matrix, parameter automation, and preset morphing.

Piano V delivers nine world-class pianos, ranging from 9’ concert grands to studio uprights to unconventional designs. Rather than stacks of samples, they’re all based on Arturia's award-winning modelling technology applied to the sound and mechanics—strings, hammers, soundboards, mic positions, and more. Finally, there’s a piano emulation you’ll truly love playing. Just choose a preset and play, or customize your own.

This classic earned its reputation as a staple for clear, bright leads and basses a la “Frankenstein” and “Birdland”, as well as sound design such as the voice of R2D2. Its semi-modular design featured normalized connections you can override with a patch cord, making it a great tool for learning and exploring synthesis. Arturia's version has tons of enhancements including polyphony, tracking generator modules, 1601 sequencer, and effects.

The Modular system started the entire electronic music revolution and is still one of the most powerful and huge-sounding synths ever. While largely used for diatonic music, its patch-cord-based interface yielded complete sonic and creative flexibility. Arturia collaborated with Bob Moog to update this behemoth with programmable presets, polyphony, nine VCOs, three VCFs, and rare original modules like the Bode 1620 frequency shifter.

The Synclavier V faithfully recreates and improves on the elite digital synthesizer that powered some of the biggest hits and film soundtracks of the early ‘80s. Its unique fusion of additive and FM synthesis technologies made for a stunningly diverse and unique universe of cinematic pads and evolving timbres. Arturia partnered with original designer Cameron Jones to faithfully build the only emulation ever attempted.

Tom Oberheim’s SEM was one of the first self-contained synth modules and was further distinguished by its unique 12db-octave multimode filter. His first polyphonic synth was actually a combination of individual SEMs connected to a digital scanning keyboard which, since each voice was slightly different, gave it a very alive sound. We’ve recreated an 8-voice version with added modulation matrix, noise, sub-oscillator, arpeggiator and portamento.

The reed-based electric piano was brighter and tighter than the Rhodes. Mellow at lower velocities, its voice took on a rougher bark as it was played harder. This made it a favoured electric piano for rock and funk players—and another perfect example of something that Arturia's physical modelling nails that sampling can’t. We’ve added lots of tone-shaping options, guitar amp, rotary speaker and effects boxes.

The king of electronic organs, the rich sounding B-3 has been a staple of jazz, gospel, hard rock and reggae for over a half-century. Arturia's faithful homage includes a rotary speaker, as well as drawbar modulation for new animated and syncopated effects.