Featuring every snapin available, this bundle has you covered as far as sound design goes. Creative effects and utility tools in a great mix to get your inspiration going.
As you use more and more snapins the unified form language starts making your life easiers, as you instantly recognize the recurring components and design patterns. Familiar interfaces will help speed up your process, and working exactly the same in every DAW makes these tools indispensible to the hardened professional that has to work across platforms while collaborating with artists and production teams around the globe.
Snap Heap: Modular effects playground
The Kilohearts Snapin framework is the easiest, most creative, sound design workflow you have ever come across. Check out this video for a quick peek into what Snap Heap can do:
You have to focus, Trinity: When you’re tweaking a specific effect in the chain, the other effects involved can sometimes make it hard to properly hear what’s going on. Mute or solo effect lanes, to quickly home in on what you’re doing. Snap Heap will take care of sorting out the routing so you hear just what you want to hear.
What’s a Snapin? Well, snapins are regular old VST/AU plugins that you can use for a multitude of purposes. They come in a bunch of different flavours and we create more all the time. The thing is that they also work as modular effect pieces that you can combine in our snapin host plugins, as you can see above. Nifty! To give you some feel for what you can do with snapins these first 6 are on the house!
3-band EQ: Simple EQ
3-band EQ will get you surprisingly far when it comes to shaping your sound, or your entire song. By dragging the split frequencies around it feels like much more than a standard 3-band equalizer.
The Chorus enhances the stereo effect and presence of a sound by mixing it with delayed versions of itself. It’s like your own personal choir!
Delay: Echoing Effect
While large echoing cavernous chambers seldom are the first pick for a good acoustic space, Delay effects have been ubiquitous in sound processing for a long time. The kHs Delay can be run both free running and tempo synced with various stereo and feedback options. Most notable however is the duck feature, which optionally only lets the echoed sound through when there is no dry input signal. This allows for long and heavy delay while still avoiding clutter over the original sound. Clever!
Gain: Volume Control
Sound loud? Make softer. Sound quiet? Make louder.
Limiter: Volume Threshold
Whether you want to crank the last drops of gain out of your track or just want to control a few loud peaks, a Limiter can be the weapon of choice. By looking a little bit into the future, a limiter can make sure your signal never goes louder than you want it to without distorting or destroying transients. Even with the knob turned to 11.
Stereo: Width and Panning
Width and panning. Left speaker, Right speaker, with Wide Narrow. That’s what this plugin does.
Compressor: Even Out Total Volume
Someone somewhere once said that there are 931 compressor plugins in the world. Well, now there’s 932! Compressors help shape the dynamics of the sound both at the initial attack and the sustain tail. Each compressor has their own flavor, and the kHs Compressor tastes sweet.
Distortion: Versatile Distortion Effect
Ever since mankind invented music, there has been a desire to make it heavier. Distortion can take your sound from zero to sword wielding hero in seconds. 5 different distortion shapes are available to add a tinge of edge or rip things apart. In stereo, if that’s what you’re into.
Filter: Common Filter Effects
Sometimes in life, sound comes with frequencies you don’t like. So why not cut them out? kHs Filter is a resonant filter with 7 modes, swiftly getting rid of frequencies you don’t like or enhancing frequencies you do. And it’s doing it and doing it and doing it good.
Phaser: Pulsating Effect
Beam me up, Scotty! No matter if you set the knob to stun or kill, Phaser can spice up your life with twirly frequency sweeps.Pretty much all the bad things with signal phase issues, but turned into an effect and labeled “cool”.
Reverb: Spatial simulation
Reverbs, simulating the millions of tiny echoes that naturally bounce off the walls in a room, have become an central part in glueing together sounds in a song. There are likely few tracks today that don’t contain reverb in any form. The kHs Reverb is a simple but powerful reverb, which helps you to quickly tune in the character you want.
Bitcrush: Simulate Lo-Fi Sound Sources
When nostalgia hits, Bitcrush can bring you back to the digital hardware of times past. It simulates the audio being played back using a low-quality sampler with limited sample rate and bit depth. Mm, crunchy.
Comb Filter: Sort Out Frequencies at Intervals
The Comb Filter hollows out the sound by carving out frequencies at each multiple of the base frequency, like the teeth of a comb.
It’s also possible to process left and right differently in a way that not only gives a wide stereo effect but also collapses right back to the original signal when mixed to mono. Nifty!
Ensemble: Choral Modulation
The Ensemble effect creates the illusion of many voices playing in unison. Much like a chorus, it creates this effect by playing delayed copies of the incoming sound. On top of this, it also modulates the phases of each voice to create a silky smooth result without any metallic flanging. The delay times for each voice is also modulated to detune each voice slightly.
Flanger: Phase-Shifting Effect
Creates a flanging effect by mixing the audio with a slightly delayed version of itself. The length of the delay can be adjusted manually and modulated. Optionally, this effect can also add a phase shift between the dry and wet signals to create an infinite barberpole-style flanging effect upwards or downwards.
Formant Filter: Vocal Coloring
If your music doesn’t get enough “Aahs” and “Oohs”, maybe you should try putting them into the actual music? Formant Filter shapes the sound in a similar way to how the vocal tract works, leading to vowel-esque sounds. So, channel your inner robo-Tarzan. Aaaaoooeoeeeoeeeee!
Frequency Shifter: Dissonant Shifting
Do you ever think to yourself: “Screw harmonics!”? Well, ok, probably not.
But let’s do it anyway!
Frequency shifter shifts the frequencies of a sound linearly across the spectrum, destroying the original harmonic relationship between frequencies. Mmm… Dissonance…
Haas: Stereo Widening
Panning sound is key in mixing and sound placement, but amplitude is only part of how humans determine the direction of sound. The Haas effect targets another mechanism that detects small differences in time between left and right to position sound.
Bottom line, it brings stereo width to sounds where there previously was none. Simple as that.
Ladder Filter: Flavourful Filtering
The Ladder Filter simulates low pass filters found in classic hardware synths.
When you’re looking for a bit of that vintage feel, Ladder filter will twist your basses into squelching retro-licks akin to those of the Moog or the 303. Crank the drive up an extra notch and it will even function as a warm distortion. Mmm, smooth.
Resonator: Harmonic Resonance
Found a frequency that you really really like? Want it to hang in there for just a little bit longer? Let it ring in the new year with Resonator.
Specific frequency harmonics in the input sound are enhanced and propagated, giving you fine control over the sustain of a tone.
Reverser: Reversed echo
Remember in The Ring when Samara kind of walks backwards but still towards you and it’s all scary and weird? This is not really like that.
However, kHs Reverser does delay and reverse sections of the input sound resulting in anything from hauntingly eerie textures to reverse percussion hits.
Ring Mod: Multiply & Conquer
A ring modulator gets its name from the way the original analogue schematic used a ring of diodes to multiply two signals together. Honestly, the schematics are more of a square, but who cares when you can trash your sound beyond recognition in both pleasant and horrible ways?
The kHs Ring Mod uses either an internal sine/noise generator or a secondary input as the second signal in the modulation and allows for versatile transformation of the modulating signal.
Tape Stop: Tape Speed Simulation
At about the same time as dinosaurs roamed the earth, magnetic tape was the hottest way to store recorded audio. Naturally, cave men discovered that starting and stopping the tape while playing back would lead to interesting effects.
kHs Tape Stop simulates this arcane technology in a simple way, allowing you to get great spindown/speedup sounds quickly with the push of a button. What’s next? Harnessing the power of fire?
Trance Gate: Programmable gate
What if ___ _____ easily chop up ____ __ the sound __ _ rhythmical pattern?
Well, now you can! Trance Gate is a gate sequencer which quickly adds a rhythm to a pad or lead, chops up a beat or adds more staccato to an arpeggio.
The world of anthem trance lies at your feet!
Transient Shaper: Customize attack character
When you want to carefully tweak the punch of your snare, the ricki-ticki-ticking of your hi-hats or the snappiness of a synth line, Transient Shaper is the right tool for the job.
Using a compressor is the most common way of adjusting the dynamics of a sound, but it’s not always the right tool for the job. Transient Shaper offers an alternative take on processing the dynamics of a sound, working on the rate of change of the signal level rather than the signal level itself. This not only makes it able to react very fast to the input sound but also makes it consistent regardless of input gain. The result is a very direct control over the character of both the attack and sustaining sections of the sound in a way that’s simple to understand and tweak.
Phase Distortion: Here to deliver phase melting mayhem!
Traditionally, most distortion units overdrive and shape the amplitude of a signal in various ways to generate a rougher sound. Phase Distortion instead lets the signal modulate the phase of itself, essentially resulting in something similar to feedback FM. This way you can add that FM touch to any sound, to get a sweet 80’s vibe or a filthy dubstep bass.